So as I was making updates to my original Maui website and stumbling upon some of the first photos I even took back in ’06, I couldn’t help but stop and reflect on just how far my photography has come in these past few years.

Mind you, I don’t do this for a living or even anywhere near full-time yet, so the learning curve for me started out a little slow only because I wasn’t really shooting that often. But now that I’ve really stepped into my element, my life motto of “Never stop learning” has kicked into full gear and now I’m writing posts like this one you’re reading now.

Back Then

You hear professional photographers like Rick Sammon using catch phrases and giving advice like “don’t take pictures, make pictures” and “make great shots, not snapshots” all the time. Some may sound more cliche than others, but when I first started off back in ’06, I couldn’t even name any professional photographers or instructors, let alone recite their catch phrases. I was the blind being led by no one.

As green as I was back then, and knowing what I know now, it was obvious that I was merely taking snapshots.

To visualize, here’s a snapshot I took with a point-and-shoot camera of the Lahaina Banyan Tree in Maui back in ’06.

A true snapshot, by any definition of the term. And ignore the fact that a photo like this has 1,500+ views on Flickr (although it was uploaded 4 years ago) – that’s a topic for a later time.

I won’t even begin to go dive into the specifics as to what’s wrong with this shot. And that’s fitting, because there really wasn’t much being considered when I took it all those years ago. I just didn’t know any better (not an excuse, just a fact).

The Now

Skip ahead to the present day, after years of self-teaching, a few workshops, and lots of practice and experimenting. Skip ahead to when I’m now making images like this one from last month’s trip to Maui.

For the sake of comparison, it’s an image of the very same banyan tree I shot in the snapshot above from ’06. Only this time, quite a bit of thought went into the final image before I started shooting. All because of what I’ve learned.

For example, I scouted shots under this gigantic tree for about 10 minutes before I started shooting. For this particular image, I knew right away that I wanted a high dynamic range image, and being in the deep shade of the tree, I knew I had to bracket the shot with multiple exposures and combine in post.

Next, I started going through things like my ISO settings, white balance, depth of field, and shutter speeds. All these things I now not only knew about, but could quickly and easily adjust on my camera with no thought whatsoever.

The Perspective

Quite a big difference, eh?

I’m very proud of where I’ve been able to get to with my photography, even though I still realize I’m merely scratching the surface of where I want to go. But by looking back at where I started, I come to appreciate all that it’s taken to get me here, and a sense of accomplishment for sticking with the journey it has become.

Having this bit of perspective comes up more often than you might think. Take, for example, my first attempts at shooting portraits. It started off with quite a bit of frustration from the very beginning. Factor in the idea of using on-camera flash, then off-camera, and needing to learn an entirely new set of terms, settings, and best practices. It gets overwhelming rather quickly, and the first instinct becomes: “I just won’t shoot portraits”.

But then, I take a pause, remind myself that this is only the beginning and not something which will come overnight, and I take a deep breath. I stick with it, and then my ugly, throw away images early on in the learning cycle eventually start to become keepers. The more practice, the more trial, and the more error that comes with it. Just like another popular catch phrase I hear from time to time: “If you’re not making mistakes, you’re not trying hard enough.”

Coming to terms with knowing not every shot every time is going to be perfect, and that learning is a process that isn’t instant, some of that frustration and those overwhelming feelings begin to calm.

Having a Positive Attitude

That same perspective manifests itself in other situations, too.

Another example, for instance, is when I go look for inspiration and ideas on Flickr from other photographers. It usually starts out with…

I love this shot!

…and then it used to go straight to…

I’ll never be able to do that.

By seeing my progress over time, it now follows a different path. Starting with…

I want to learn that.

…which is quickly followed by…

I will do that

…and then finally,

I can do that.

And that’s where all this perspective begins to stimulate more accomplishments and build more confidence. Had I been as focused on learning and striving to improve back then as I am right now, it definitely wouldn’t have taken me as long to get to where I am today.

But like anything else, you can play the “what if” or “if only” games – they’re just a waste of time.

The Lesson

The takeaway from all of this, for me, is two-fold.

First, as I’ve spelled out above, it’s an internal motivator and keeps me grounded. It pushes me to step out of my comfort zone, push my boundaries further, and learn from (and to make) my mistakes.

Second, it’s become more of a teaching point for me to use, too. Whether I’m showing somebody something I did in a particular image, providing feedback to someone’s images or questions, or just talking with someone who’s currently going through the same angst and frustration that I remember having.

If I can try to teach someone the path that I have gone through to get here, then the quicker they can learn to work through the frustration, set proper expectations for themselves, and then get to that point faster where they’re reflecting on their early work with their latest accomplishments and seeing the ground they’ve covered themselves. Being able to help someone reach that level of confidence and overcome whatever adversity they may be facing, at the end of the day is pretty darn rewarding.

The End Game

And to that end, it ends up not being about whether my image is better than someone else’s image or has more views or “Likes” the another image. Instead, it grows into an introspective view of whether I’m happy with my own work, and where I want to improve, and then going out and working on those improvements.

The rewards then become internal to yourself and your personal accomplishments, and not the awards or flair that others send your way. And when you’re happy with the work you can consistently deliver, and you can apply that to the most special memories in your life or the lives of others, you smile and know it was all worth it.

Thoughts?

Thanks for following along on my little philosophical journey here today. If you had any thoughts, comments, or stories of your own to share, please feel free to leave them below.

– Kris

This time last week, I was fighting exhaustion after waking up at 2am in the morning to make my way up the top of Haleakala for the sunrise as part of a Maui Photo Festival excursion. That exhaustion stuck with me for most of the four days of sessions and events. And I relished every minute of it!

The 2011 workshops was my return to Maui after attending the inaugural event back in ’09 (check out my ’09 review if you like). And after missing last year, it felt really great to be back at it again. But let’s get down to business with this review, shall we?

Here We Go

If you were following the blog here before the event last week, you may have already read my post on the sessions I was planning to take. If you’re new to the blog (Aloha, thanks for reading) or hadn’t seen the post yet, give it a quick look. For the most part, I was able to stick to those plans without my head exploding with knowledge.

As a returning MPF attendee, I already had a pretty good idea of what to expect and how to prepare myself ahead of time, which really paid off. There’s usually one or two tough choices you have to make about conflicting breakout sessions or whether you think you’ll need a break or not, so planning that all out in advance can help elevate some (not all) of that stress. And yes, breaks are key – I found out that the hard way the first year. Just like visiting the island of Maui, there’s not enough time to see everything the first time you visit, so don’t think you have to try. With these sessions, pick the ones that you’re interested in the most, and take a break to let it all absorb, to network with other photographers, and maybe go shoot a little on your own.

And lastly, don’t forget to shoot! Yeah, those early golden hour sessions are tough for us non-morning people, but that’s why you’re there. Shoot, shoot, and shoot!

Opening Reception

The first night was great for me – mostly because I met up with some of the photographers I met two years back and have been following along with on Facebook. I also got to shake a few hands of people I had only known online and was meeting for the first time face-to-face. That’s pretty neat.

The opening night presentation was mostly focused on some of the sealife and underwater photography of Jim Tierney & Michael Sweet. The whale shots are always my favorite, although my wife is also fond of the honu as well. It was interesting hearing about the underwater whale shots, since federal law prevents you from diving in the water with those magnificent creatures. The luck quotient of shooting blind like that sort of evens itself out when you’re able to spend weeks and months out on the water during whale season – a perk in itself that made me extremely jealous.

Day One Golden Hour

The first golden hour shoot was for Natural Light Portraits with Judy Host and Lou Freeman. And right away, I was enlightened by a few points:

• As a photographer, you’re not allowed to complain about waking up before sunrise to do a photo shoot – especially when you’re working with a model that has to get up even early than you and has to look gorgeous on top of it. Better suck it up.
• I may very well be the master of “model blinking” portraits. Better start using that continuous drive mode.

Kidding aside, other than staking out my spot in the sand along with 20 other photographers, it was a fun shoot. It was also the first time I was shooting a model and not one of my family members or friends, so that had a different feel to it for me. Our model, Danielle, was a real trooper, and while I’m still going through some of the photos from that shoot, here are a few I can share with you now.

To wrap up my thoughts on the morning shoot, I have to say it was fun working with natural light again since I’ve been teaching myself studio lighting for the last month or two now. So having one less thing to worry about was good.

Thursday Keynote

The first keynote of the workshops was island photographer and artist Randy Jay Braun sharing his thoughts on the Art of Landscape. His analogy of ping-pong balls bouncing around in his head was rather intriguing, and a different take on my own situation – which is usually the too many plates spinning scenario. Anyway, it really made me considering the fact that I haven’t been putting enough focus or thought when going out and shooting landscapes. His three classifications of photographs caught my attention as well:

• the “I was there” shot,
• the “Oh, what a glorious sight” shot,
• and the “OMG, I want to be right there, right now” shot.

That really put things in perspective for me, and has inspired me to retrospectively go back and look at some of the shots I feature at my Daily Maui Photo site, and review the correlation between the number of FB Likes and Comments, and retweets I get based on the classification I would give the photo.

The other part of his session that really opened my eyes was slides on emphasizing design over composition. He then proceeded to cover seven design principals and seven design elements, and then the ping pong ball analogy really started to make sense. But seeing how successful Randy has become and seeing photos of his gallery on Facebook – although I haven’t had the pleasure visiting it in person – you know he’s really on to something.

Well done, Randy.

Doors Off, Don’t Do Look Down

I had already posted on my Maui blog about how psyched I was about getting to fly doors off for the second time at this year’s event, so there wasn’t much sleep the night before. Flying with Stacy Pearsall and Andy Dunaway back in ’09 was a great experience, and prepping to go back up again was even better.

But I really don’t have to say much about how awesome an opportunity this excursion is, since a few photos will tell the story for me:

Sure, it’s a little pricey, but I’m hooked. If you do get the chance to shoot during this excursion in a future Maui Photo Festival, you won’t be disappointed. Just be sure to same me a seat, yah?

Day One Sunset Shoot

The official sunset golden hour session for the festival was a Maui Swimwear shoot on the beach. But if you’d like to hear and see more about that, you’ll have to find another review.

Instead, I was traveling with my own models – my wife and our 9 month old son – so I decided to do a sunset shoot of our own.

Remember what I said earlier about taking breaks, not trying to do every single session, and getting out to shoot, shoot, shoot. Well, I meant it.

These shots might not have been part of the festival curriculum, but don’t forget, you’re on the single most gorgeous island in the Pacific (in my opinion, anyway). Make sure you take a few minutes to stop and enjoy it!

Day Two Golden Hour – Rise and Shine

Friday was another early morning, and I this time it was really early. I was part of the brave crew that signed up to go to the Haleakala Summit as part of the true golden hour excursion. It was my third time making the early morning drive, so I was well prepared both mentally and physically. I think I came closest to guessing the temperature when we arrived at the summit, too. A chilly 42F. Altogether now…Brrrrr.

The first year I attended the workshop, there were about 10 or 11 of us and we were treated to a mini-bus and a local tour guide driving us up to the summit to shoot. This time around, we were split up into two vehicles – with Zane driving one group and Andy and Stacy leading the other. I was with the latter, and I have more to share on that in a moment. It had a different feel to it with not driving up with a tour company, but having someone like Zane and his 30 years on the island (I think that’s what he said) and a few other professional photographers joining us, I feel it was for the better.

Onto the photos. During the ’09 Haleakala sunrise shoot, I had my mind set on a self portrait that actually came out pretty well. If you were browsing the MPF website, seen some of the signs at the event, or even picked up an issue of Maui No Ka Oi magazine last summer, you might have even seen it already. Yup, that’s me up there.

How was I planning to top that?

Well, I had another great idea for a composite shot, but that required us to have made the drive all the way up to the top most summit lookout and arriving about 30 minutes earlier. Neither happened, so that visualization still only exists in my head. But despite that, being up that high for the sunrise and getting to capture such a great moment is always an event:

Again, if you get the chance to sign up for the Haleakala sunrise in a future festival – or if you go on your own on vacation – it’s a great experience. Even if you’ve seen it before, no two are ever alike.

The Drive Down the Volcano

Now, for that second part I alluded to about driving with Andy and Stacy during the sunrise excursion. The fourth passenger in our vehicle was Stacy’s sister, Meggen – a registered nurse. So what, you might be thinking. Well…

About 5 minutes after leaving the summit and heading back down, we got to drive through the clouds covering the road – something I hadn’t had to do in the previous two times on Haleakala. Very cool. About 2 turns after that, we ran into a minor traffic jam caused by a bicycle accident. Turns out there was a small group riding their bikes down from the summit when one of them took a spill and was pretty banged up. Lucky for him, he was (a) wearing a helmet, that saved his life, and (b) the fourth car behind him (ours) had a nurse in it.

It only took a few moments for one of the park rangers to drive down from the summit, address the scene, and get traffic flowing again. And while the other van that Zane was leading headed back, our group stayed behind with Meggen helping until the medical team could arrive. All told, the four of us were pulled over along the side of the road for about 45 minutes until help arrived.

Now, one could have understood getting a little frustrated and dwelling on what they were missing out on by being stuck on the mountain. But keep in mind, I was doing much better than the guy that cracked his helmet into two pieces, and (again) I was on Maui. Just being up that high on the volcano, looking down at the valley, breathing in the fresh, but chilly air, and not having to rush to another workshop session or race to my laptop to edit photos was a very welcome change of pace. At least for me, it was one of the put-things-in-perspective moments.

Shooting Photographing Children

Back at the workshops, it was time for me to attend another one of Judy Host’s sessions. This time, it was Photographing Children of All Ages.

Now, I don’t really see myself photographing children of all ages just yet, but seeing as our own little guy will eventually be all of the ages Judy covered in her workshop, I figured it was worth attending. The classroom portion of the session consisted of a slideshow of Judy’s favorite images and the thought process behind them, and the second half was going out and shooting a few volunteer children ourselves.

One of the things that Judy emphasized in her portraits was not having the children look like they were being posed. And in some cases, it was more of a matter of letting them do their own thing and just being there to capture the moment. That resonated with me because I have been trying to do a combination of both with our son, trying to get a few candid shots whenever I can.

The flipside, however, was when we had the chance to shoot the volunteer family as part of the workshop, they were posing for the most part. A few photographers that submitted photos managed to get images of the children between poses, but I imagine there’s not much you can do for 25 photographers trying to shoot “candids” of three young sisters.

Switching Roles

In addition to the three young sisters that were modeling as part of Judy’s session, there was also a mother and her newborn daughter there to pose as well. In fact, it was actually one of our friends that we met back in ’09 and was also a photographer as well. In fact (again), she actually shot vacation portraits for my wife and I pack in ’09.

We had kept in touch on Facebook over the last two years, and there was a brief period that her and my wife were both pregnant at the same time. Since her daughter was born, we’d been admiring her adorable baby photos on Facebook, but this time I had the chance to photograph mama and baby myself.

I enjoyed the irony that I was shooting portraits of the photographer that took our portraits two years ago. Seeing that we were friends with her and her husband, and that she certainly knows her way around the digital darkroom, I put the raw images I shot during that session on a thumb drive and passed them on so she could keep and edit any of the ones she liked. Yet another reason why it’s so cool to meet and network with other photographers on Maui during these workshops – you might actually get to watch their children grow up.

It’s Hula Time

Now, onto the signature event of the Maui Photo Festival and Workshops – the Quintessential Hawaiian Photo Shoot: Hula on the Beach at Sunset led by none other than Randy Jay Braun. It was this same event back in ’09 where I first started my hand at shooting portraits, and honestly surprised myself a little at the time. I was a little excited about getting to do this session again, now that I had a little more experience with portraiture.

I don’t recall all the details from the ’09 session, but the shoot started at 5pm, which felt a little too early. For starters, the light is still pretty harsh that early in the evening, so to compensate, Randy and team brought all the dancers in the shade at the nearby beach park. That worked great for the lighting, but it also meant that all the photographers were crammed in and bumping shoulders (and random speedlights) at the same time. After about 5 minutes, I started to get a little turned off by the crowd and spotted another photographer that had already retreated further down the beach and was shooting the unusually large waves that were crashing along the shore.

Again, that’s another great thing about these workshops – if something isn’t working out for you, you can make it your own!

I spent about 20 minutes shooting and dodging the waves with Diane – who was attending the workshops from neighboring Oahu. It was very enjoyable to talk story with other photographers and building those relationships. Not something you really see advertised for workshops like this, but if you take a moment to introduce yourself and make a few new friends, you’ll certainly be rewarded for it.

Later in the hula shoot as the sun started to set, the groups started to break up and I did manage to get a few shots of my own. Here was the one I liked the most:

I think for only taking a handful of shots during the session, coming away with an image like that is definitely a victory.

Yet Another Maui Sunset

While the other photographers were framing their sunset shots with hula dancers during Randy’s session, I was off on my own looking to capture the sunset from a different perspective.

Night Two Presentation – Maui No Ka Oi

Even though I had been up since 2am for the Haleakala excursion and hadn’t had the luxury of napping like my son had been doing, I still wanted to attend the Maui No Ka Oi magazine presentation to cap off the evening. After all, you can always sleep on the plane home, right?

It was pretty neat having the editor, art director, and one of the photographers from the magazine (of which we’ve been long time subscribers) there to talk to us. It was interesting to here some of the design aspects that the art director looks for when choosing images for covers and placement in articles and spreads. I was also extremely envious when the photographer in the presentation mentioned he had done over 100 helicopter shoots. Holy crap, I could only dream of having a job like that and the imagery that I could be collecting with even a fraction of those shoots.

All told, it was a nice end to the evening.

Day Three Golden Hour

If you’re still reading this by now, bless your heart. I really never imagined this post would get so long. Mahalo!

Anyway, one of the benefits of waking up to drive up the volcano is that no matter what time you wake up the following day, it still feels like sleeping in.

That was the case when we headed down to the beach on Saturday at around 6am to shoot some action shots of local skim boarders riding those particularly large waves I mentioned earlier. There was only about 15 of us or so, and a lot of beach to share – which was refreshing. Also, the air was so cool and still that early, which felt good after all the hours out at sunset this trip.

At first, I started cranking up the shutter speed to get one of those freeze action shots of the young guy about 2 feet from his board, and that took all about 10 minutes to capture. After that, I started going for something along the lines of a motion blur shot by slowing down the shutter and tracking him across the water as I made the exposure. That took a little bit longer to master, but it was a fun pursuit.

After about a half hour, I had a few shots like the one below – this one being the better of them – and decided to quit while I was ahead and make my way back to the hotel for a little breakfast with the Mrs.

Speaking of motion blur, it’s usually about this time where you start to feel like everything you’ve been attending so far has gone by way too fast and you can’t believe it all ends the next morning. There’s also that contest deadline looking at 8pm that day, and you notice the attendees break into two camps – the ones that start to frantically edit their shots and the ones that start to relax and take in the rest of the day’s session. Fortunately for me, I fell into that second category this year.

Portfolio Review, Classroom Style

Remember before when I said I was happy to be coming back and to know what to expect during these workshops? Well, the Portfolio Review session was no exception.

I found this session extremely helpful back in ’09, and certainly had it circled on my agenda for day 3. For me, it was not only helpful to have my images critiqued and receiving honest feedback from someone that does this for a living, but it was also extremely beneficial to see images from other photographers and hear those critiques as well. Classroom style, just like it sounds.

Another change this year was the photos I was submitting for the review. Back in ’09, it was a series of landscape shots I had taken over the years up to that point. This year, it was portraits of our young son over the last few months. I complete 180 from what I doing two years ago, and something I strongly wanted advice on.

I already posted the portfolio images I submitted in this post here, but reposting a few couldn’t hurt, right?

I wasn’t as nervous as I was in ’09, because I personally felt I had done a good job with the images I was sharing. There were a few things I knew I wanted to improve on, but hearing those tips re-enforced from a professional was great. Plus, I wanted to get an objective opinion on these shots, because the friends and family members I’ve shared these with are more concerned about how cute our son is rather than the shot itself. I guess I can’t blame them, he is pretty adorable.

Final Presentation – Personal Projects

Aside from those feelings of “I can’t believe this is the final presentation already,” I couldn’t have imagined a better final session than the Personal Projects presentation by Stacy Pearsall to close things out. Hearing her story behind the Veteran Portraits project not only put things into a different perspective, but also was eye opening on how doing something for yourself and others always has a chance of growing into something you couldn’t have imagined.

While I have had my own personal projects in the last year or so – none of which are well documented here at the site or of the magnitude of what Stacy is doing – it does have me thinking of different ways to keep me focused, keep me shooting, and looking for ways to help others all at the same time. Now, if you’re running a workshop like this one and at least one photographer is walking away from the final session with thoughts like that in their mind – you’re doing something right, for sure.

The Awards Ceremony

When all the sessions an workshops are all said and done, the final morning and the awards ceremony is always fairly laid back. Personally, I try not to dwell on the fact that it’s time to check out of the hotel in 2 hours and have to head back home, but more on seeing the great images from all the photographers shot this week, getting to see faces and new friends one last time, and reflecting on all the images I get to work with when I get home. Okay, that last one might seem daunting at times, but it helps you through those “I miss Maui” moments.

I certainly don’t envy the job of the judges for these types of contests when you have such talent all in one room and images from all sorts of a categories. I do like the fact they added an honorable mention award to the mix (don’t remember seeing that in ’09) for the different categories – no doubt a sign of how difficult their choices are to make. But at the end, they do come up with their favorites from the bunch, and they’ve already put them into a slideshow that I’m able to share below:

Final Thoughts

I imagine I don’t have to say much more than I have already, but it should be pretty clear that I’m a huge fan of these workshops. I admittedly haven’t attended too many other workshops to have a strong comparison to make, but I have visited Maui half a dozen times now, and when it comes to locations to shoot, I’m addicted to this lovely island. Getting to combine my passion for photography and my admiration of Maui is a perfect pair, and if you haven’t had the experience of seeing Maui for yourself, it’s well worth the trip.

There are so many people that put their heart and soul into this event all year round, and I’d love to name them all right here. But I’m going to save that for another post, since they really deserved to be called out separately and not at the end of a long review like this one.

As they say in Hawaii…
Mahalo Hui Loa, and A Hui Hou!

Which means…Thank you very much, and see you again soon!

And that’s really what sums up these workshops for me. I’m so grateful to be able to attend and I can’t ever wait for the next one to come around again.

And thank you for reading through this entire review, which I hope you have found helpful if you had not yet attended one of these workshops and are considering attending next year. If you were at this year’s event and wanted to share your own opinions, links, photos, you name it, please fire away at the comments below and on Facebook. The more feedback and suggestions, the better.

Aloha for now,
– Kris

When I was planning which sessions I wanted to attend at the Maui Photo Festival this year, I knew the Portfolio Review – Classroom Style session was one I wanted to repeat from the ’09 event.

The instructor, Stacy Pearsall, gave some good pointers on things to fix in-camera and maybe touch up in post, but also gave good praise for these images as they were. That was a big confidence boost, as I’ve only been shooting portraits for about 3 months now. Plus, every time I show these images to friends or family, they main reaction is “Ahhh, he’s so cute,” so objective feedback on the photo itself wasn’t always a priority.

That said, here are the photos I shared during the review – plus one I had intended to include but had forgotten at the last minute.

If you’d like to leave your thoughts, please do.

Natural Light Portraits

Indoor Portraits with Strobes

The Forgotten Photo

This time next week, the ‘ohana and I will be back on Maui for the first time in two years. I started to rattle off some plans for the week on my Maui blog, but what I’m sharing here is my initial list of sessions I plan to attend during the Maui Photo Festival and Workshops while I’m there. After all, this event is the reason we chose to return to Maui at this time of the year.

As I started to mention in that other post, I’ve surprised myself with the shift in focus in my photography from back in ’09 to what it is today, not to mention the renewed focus and commitment to learning more and more, shooting as often as I can, and taking a serious look at what role photography may play in my life going forward.

The Schedule

Okay, enough with the fluff, here’s the real info. The following list of courses are what I’m planning to attend during the workshops, going off of the full schedule available on their website.

Wednesday

• 7:00pm – Maui Photo Festival Opening Reception

Thursday

• 6:00am – 8:00am – Golden Hour excursion TBA
• 9:00am – 9:50am – Keynote session, “The Art of the Landscape” with Randy Jay Braun
• 11:00am – ? – “Doors Off Helicopter Tour” with Stacy Pearsall and Andy Dunaway
• 10:10am – 12:00pm – Breakout session, “Lighting Essentials and Visual Perception” with Jack Reznicki
• 2:00pm – 3:50pm – Breakout session, “Natural Light Portraiture” with Judy Host
• 4:00pm – 5:50pm – Breakout session, “Controlled Candid Shots for Lifestyle Photography” with Lou Freeman
• 8:00pm – “Photoshop Graphic Design Techniques” with Judy Host

Friday

• 3:00am – 10:00am – “Haleakala Sunrise” golden hour excursion
• 10:10am – 12:00pm – “Lightroom 3: Time to Get Serious!” with Frederick Von Johnson
• 2:00pm – 3:50pm – “Photographing Children of All Ages” with Judy Host
• 5:00pm – 7:00pm – “The Quintessential Hawaiian Photo Shoot — Hula on the Beach at Sunset” with Randy Jay Braun
• 8:00pm – “Maui No Ka Oi Magazine, Shooting for Publication”

Saturday

• 6:00am – 8:00am – Golden Hour excursion TBA
• 9:00am – 9:50am – “Crafting Digital” with Eddie Tapp
• 10:10am – 12:00pm – “Mastering Pixel Processing” with Eddie Tapp
• 2:00pm – 3:50pm – “Portfolio Review, Classroom Style” with Stacy Pearsall and Andy Dunaway
• 6:00pm – 7:00pm – “Sunset Scramble,” last sunset on the beach
• 8:00pm – “Personal Projects” with Stacy Pearsall

Sunday

• 9:00am – Awards Session

Highlights

I’d like to say I’ll be pacing myself after the whirlwind tour of learning in ’09, but there’s just too much good stuff to pass up and not attend.

Here’s a short list of the things I’m looking forward to the most…

Doors Off Helicopter Tour

There’s no doubt that this year’s helicopter tour is going to be even better than the one I did in ’09. Although it’s been a few years already since I’ve shot aerials, I have newly upgraded gear from what I had back in ’09, plus a much better comfort level with the camera controls and making adjustments on the fly (no pun intended) so that’s bound to make for better results.

Plus, I’m really hoping our flight group takes a pass by the Ka’anapali area this time, since I’d be thrilled to get a few great shots of Black Rock and the Sheraton Maui Resort from above. Would be one of our ultimate keepsakes in our household, for sure.

Haleakala Sunrise

Sure, it’s way super early in the morning, but ever since we did the sunrise ourselves in ’08, there’s been something about being above the clouds when the sun rises that hits me. And yes, even though I surprised myself when my sunrise silhouette shot won the Best Portrait Award in ’09 workshops, that doesn’t have too much of an influence of wanting to go back.

Besides, the only way I could make that shot better is if I had my son on my shoulders this time, and trust me, the folks on that tour bus don’t want him with us that early in the morning.

Portfolio Review, Classroom Style

This was another session I did back in ’09, and what has me excited about coming back for the same session this year is how different my focus has come since then. Back then, it was all landscape shots, for which I did get some good advice and feedback on for improving in-camera and for editing.

This time, however, I plan to put together some of the portrait shots I’ve taken over the last few months, and get feedback on how to improve there as well. Plus, getting to see photos from other photographers and hearing the feedback for their photos, too, is pretty valuable, as well.

Personal Projects, Stacy Pearsall

Of the instructors I met back during the ’09 workshops, Stacy and her husband Andy have been the two that I’ve followed along with the most in the last 2 years. It was hard not to, as they left such a lasting impression on me with the helicopter tour, the portfolio review session, and the awe inspiring combat photography presentation they gave in ’09.

Following her work on Facebook, the one project that really stuck with me was the Veteran Portraits Project she’s been working on for some time now. That, plus owning and operating the Charleston Center of Photography as a day job have me really interested in learning more about the work she’ll be presenting about during this session.

Who knows, it may very well inspire me to come up with yet another project of my own…

That’s About It

Really, that’s all?

I already know this year’s workshops are going to be a tsunami of information coming at me, and I’m ready to stand up to the challenge. I do like that there will be a few breaks here and there (and I may end up skipping a session or two near the end) to spend the extra time with the family. After all, our 8 month old son isn’t going to remember any of this trip unless I get the shots to prove he was there.

Anyway, that’s my take on where I’ll be spending my time during the Maui Photo Festival and Workshops this time around. And I know, just like the island of Maui itself, there’s always too much to do in one visit, so I’m telling myself this won’t be the last one I will be attending.

How About You?

If you’re reading this and also attending the workshops this year, what sessions are you most looking forward to? Will you be up there with me in the helicopter sans doors or shivering at the top of Haleakala before sunrise, too?

I’d really like to hear from you and get your take as well.

- Kris

Although I haven’t done much with my camera gear since the hobby went on hold a few months ago, it was still a pretty exciting week for me photography wise.

Two of my photos made it into Hawaii magazines this week, my Iao Stream photo and my Haleakala Sunrise image from the ’09 Maui Photo Festival. Here’s the scoop on how it happened.

Iao Stream in Hawaii Magazine

I had originally submitted this photo to Hawaii Magazine for their Photo of the Week feature about a year ago. Thinking nothing of it since then, I was contacted by the magazine last month for a print-friendly version to run in their Your Hawai’i section of the July/August edition. I certainly couldn’t pass up on that opportunity.

Sunrise Silhouette in Maui No Ka ‘Oi Magazine

Already knowing about the photo printed in Hawaii Magazine, I was pleasantly surprised the following day when the July/August issue of Maui No Ka ‘Oi magazine arrived at our door. Featured in the magazine’s Talk Story section was a full page article on the upcoming Maui Photo Festival in August. Since this photo won the best portrait award in the inaugural event last year, I was invited to sign a photo release so it could be used by the event organizers for promotions and the like. And there you have it.

As hard for it is for me to say this out loud, but it has come to the point where this amazing hobby of mine has to go on the backburner for awhile.

There are numerous factors playing into this very difficult decision – some positive, others negative – but I’m choosing not to dig into those right now. At the end of the day, my current workload and other demands on my time have left me very little opportunity to shoot new images. And even when I do get to break open the camera bag, I’m left with even less time to work with them in post and share them with everyone here.

Missing Maui

The other big impact this has on my overall happiness is that I’ll have to pass on the Maui Photo Festival this year – which is very unfortunate since I’ve been looking forward to returning ever since we got on the plane to go home after the ‘09 event.

I wish everyone involved with the MPF this year and those either returning or attending for the first time this year all the best – I really want to be there with you, and look forward to seeing the great shots and hearing about the wonderful experiences you’ll be having once it has come and passed.

What Now?

I don’t want to say this is the end of everything, so if you are so inclined, please bear with me as I work out my priorities elsewhere.  While I won’t be posting new images very often for the foreseeable future, I will try to add new content from time to time.  Whether it’s links to other photographers on Facebook or interesting articles or topics I come across, I’m hoping to keep this little site going so that when the time comes that I’m able to recommit myself, I can get going again rather quickly.

Many Thanks

I would like to extend a collective Thank You to everyone I’ve interacted with online or in real life as it relates to photography.  The last year and a half of really taking this hobby seriously has brought me so much joy, and networking and meeting other photographers has been a major part of that.

In a way, that interaction with my photography peers may be something that I’ll miss the most.  That, and the trips to Maui.

Happy shooting everyone, and keep those great images coming.  I look forward to rejoining you all someday.

– Kris

When it comes down to it, I still have to pay the bills and when work gets demanding like it has been lately, my hobbies and the other fun things I’d rather be doing instead fall by the wayside. These days, it seems wrong to be complaining about having a job, and that’s not what I’m doing. I’ve come to terms that work comes first, second, and sometimes third, it just has to get done.

What’s rough, though, is when I get on a roll with my photography efforts whether I’m going out shooting or in the digital darkroom or the many great things online you can do with photography these days. It’s rough when I have all that momentum and then have to put things on hold for days or weeks at a time. It’s kind of a bummer.

Getting Caught Up

Like many things in life, this stuff comes in waves, and over the years I’ve been getting better at knowing when they’re coming and when they start to settle down.  This week might be one of those weeks where things start to fall off and I can try to get caught up.

Plus, one of the benefits I’ve come to enjoy in the past few years is having the entire week of Christmas off as a company holiday. There’s more than enough things I can be doing photography-wise during that week, and it’s going do depend on whether we get a lot of snow (so I can go out and shoot more) or if I’ll be revisiting my ever growing task list when it comes to the darkroom or the blog here.

Thoughts?

I like the fact that the various contacts of mine are a good mix of professional photographs and part-time hobbyists like myself.  I’m sure there are aspects of this from both sides of that spectrum, and I’d be interested in hearing your thoughts or experiences you might have had in your photographic efforts.

– Kris

They’re from our first visit to Sturgeon Bay back in Sept. ‘08 and were taken during their annual Harvest Festival. It was neat walking around and seeing all the booths and people from all across the county coming for this get together.

But when it was time to eat, we picked up a little lunch and found ourselves an open stretch of curb to sit. As we sat and ate lunch, I looked around at things around me, and in between bites I picked up our little Canon SD890 and snapped a few photos.

A Different Point of View

You often hear and read a lot about how perspective is a powerful tool in photography. And while these aren’t dramatic compositions by any means, they are a neat view of what you can do sitting on your bum.

Just beware of slobbering dogs.